In this weeks reading assignments we have focused on the great city of Teotihuacan--located in the Valley of Mexico. Teotihuacan meaning "the place of the gods" according to Rene Millon would have been the sixth largest city in the world in AD 550, with population estimates of 125,000 thousand people. The photograph shown of page 72-73 (Miller 4th ed.) of an isometric view of Teotihuacan shows just how massive these city was. The Pyramid of the Moon to the north, the Pyramid of the Sun also north, then the Way of the Dead and south Ciudadela and the Temple of the Feathered Serpent.
It is interesting to me that we call these people primitive. Their architectural design skills are most intriguing. How is it that such massive structures could be built? today we use cranes, trucks and tractors, massive man power and of course modern tools and technology to create massive high-rise buildings, bridges, and other structures. Yet these relatively small people were able to create whole metropolitan cities without the help of modern technology.
As I study history I always think back to the biblical stories found in the Kings James version of the bible. I'm not a religious person but I do believe the bible is a historical book documentation individuals accounts of history.
I imagine that the pre-Hispanic inhabitants of Mexico are descended from Africa. This explains to me the connection between the great pyramids of Egypt and those of mesoamerica. There is a correlation between the religious practices of Egyptian and Greek mythology and that of mesoamerican religious practices. The mummification of bodies and the importance of the under world, tombs and the artifacts found in them representing the belief of an after life and the sacrificial ceremonies to the gods.
Sunday, October 26, 2008
Friday, September 19, 2008
I see in Frida Kahlo's art the influence of
Mesoamerica and her heritage.
The importance of the animals and the
symbolism of the vine with its thorns piercing
into her neck. I can imagine how trapped
she feels, how restricted and confined.
Her art gives a voice to all those feelings,
the dark unspoken ones that reside in all
of us.
Wednesday, September 17, 2008
Mosaic Mask
In the lecture this week we looked at La Venta and pieces of art that had been discovered there. One such art form is shown on page 31 (in the 4th ed.) of the Miller text. It is suppose to be an abstract mosaic mask made of serpentine blocks. It is a beautiful piece of work but I don't understand how it's considered a mask. I see nothing but blocks organized in rows and columns to make up a design. Maybe I am not looking hard enough, maybe I am missing something but I don't really understand the point of making a piece of art and then covering it up with clay and rocks. I wonder what the artist was thinking. Was this a ritual practice?
Saturday, September 13, 2008
My perception of "Mexico".
When I began contemplating what I think of Mexico the first thing that came to mind was the depiction of factory workers; men, women and children suffering in the underpaid, mostly under U.S. companies, work force while the company maximizes it profits. I began thinking of the working conditions that these workers face and the harsh reality, that as long as corporations can operate in free trade zones; in countries that encourage and welcome big corporations (do to the revenues they bring) into the country, and do not enforce an equal employment act which provides workers with vital rights under that law and protection against mistreatment, nothing will change...
The following is a URL of a website that provides more information about sweatshops in Mexico: http://www.newint.org/easier-english/Garment/sweatmexico.html (copy and paste).
The next thought that came to mind was the splash of Cancun, Mexico. A place you can go to let loose, stay in luxury hotels on the white sandy beaches and eat authentic Mexican food while you sip on margaritas. All while the locals work in the service industry which provides this luxurious get away. And the ruins of the agent cities of the indigenous people become a tourist attractions
I remember as a child traveling into Taiwan, Mexico. The dirt road stirring up dust and the children chasing our car with bead necklaces, small maracas and other trinkets they held, grasped in their hands, hoping we will stop and buy these goods they sell. The area was dirty and trash just lay scattered on the ground. The buildings weren't much more then plywood boards nailed together and sewage ran in the street. As a child this image resonated in my mind. I remember feeling the sadness and confusion of not understanding why they lived in such poor conditions. What I didn't understand then was that Taiwan is one of the poorest places in Mexico and that not all of Mexico lives in such an unimaginable environment.
My step-father having Mexican Heritage, it wasn't uncommon for my parents to hire Mexican men who stood on the sidewalk along the street in front of San Lorenzo Lumber in Santa Cruz, Ca. I watched these men work in my back yard my family along side and eat at my families table. My step-father spoke to them in Spanish, a language I do not know, and though he never said anything derogatory or resist, I knew that there was a difference between my step-father and these men who labored long and hard to earn the mere 9 dollars an hour my parents paid them.
My reality quickly changed when I entered the foster care system and many of the other youth the occupied the foster homes and group homes were Mexican Americas. Many of them had family members who migrated to the U.S illegally in order to find work and send money home to help support family still in Mexico. They told stories of poverty, something we hear about in media, but they gave this problem a face and voice. Now when I think about Mexico I think of a country that's people are largely supported by the money that migrant workers send home. I imagine the girls and boys that live with relatives while both their parents are away, working for their survival. When I think of Mexicans' I think of a strong and proud people that have lived through such adversity and yet remain unbroken, striving for a better future.
Tuesday, September 9, 2008
The Art of Being Me
THE ART OF BEING ME is captured in all the brilliance and wonder that is my daughter. It is her that allows me to see what I excel at and often times my weaknesses. She is a mirror to me and reflect through her eyes her happiness, her sadness, her worries, her hopes, her struggles, and her triumphs.
The art of being me is being dearing, being willing to step out of my comfort zone and let it all hang out. It's being brave enough to let the world see what i'm really made of, even when I just wake up. The art of being me is sometimes contradictory and it's putting on a mask of outer layers (clothing) to cover up how i'm really feeling inside
The art of being me often happens in the kitchen. This is the place I create my magic. As you would add ingredients together to make a spectacular dish, life is much the same way, yet instead it is where i try on the qualities i see in others and see if they fit right. My recipes do include cook but often they are recipes of qualities: a cup of my mom, maybe 1/2 of my dad, a heaping 3 cups of my special aunt Carrie who knows just how to cheer me up when life is crazy and full of messes and a 1/3 of my grandma who taught me that learning is forever (one of the only things we still have when we die) and a pinch or 1 tablespoon of my grandfather who always taught me to fight for what I believe in. We are all recipes, little bits of others are backed into our crust.
The art of being me is that i am forever changing and yet even in the instability of change i remain, some how, sturdy. Strong in my convictions i stand tall like an old villa home. Wise from experiences and yet still full of learning. My walls stay the same, and my foundation never quivers yet i enjoy a new coat of paint on my walls and a fresh set of eyes to comment on my frames.
The art of being me is centered in my exploration of self. Sometimes even i can scare me and like with any great animal the instinct for flight is strong. As a child i always dreamed of being a bird, a bird could fly away and escape the danger, the threat and fear i faced every day.
The art of being me often happens in the kitchen. This is the place I create my magic. As you would add ingredients together to make a spectacular dish, life is much the same way, yet instead it is where i try on the qualities i see in others and see if they fit right. My recipes do include cook but often they are recipes of qualities: a cup of my mom, maybe 1/2 of my dad, a heaping 3 cups of my special aunt Carrie who knows just how to cheer me up when life is crazy and full of messes and a 1/3 of my grandma who taught me that learning is forever (one of the only things we still have when we die) and a pinch or 1 tablespoon of my grandfather who always taught me to fight for what I believe in. We are all recipes, little bits of others are backed into our crust.
The art of being me is that i am forever changing and yet even in the instability of change i remain, some how, sturdy. Strong in my convictions i stand tall like an old villa home. Wise from experiences and yet still full of learning. My walls stay the same, and my foundation never quivers yet i enjoy a new coat of paint on my walls and a fresh set of eyes to comment on my frames.
Subscribe to:
Posts (Atom)








